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|  | Basic Questions for Complex Acting « Thread Started on May 30, 2010, 6:27am » | |
Basic Questions for Complex Acting
“Professionals practice the basics” -- Hank Hill
Voice acting is acting with the challenge of conveying it solely through your voice. There are many guides, tips, and references to make the most of your voice, but acting is much much much more valuable and tricky to teach in order to convey a convincing, compelling character/performance.
Many actors use a variety of techniques to act, with some of the most basic methods being answering simple questions and thinking about simple things about the character and their world that will bring him/her/it to life. “Simple” is a deceiving term, as you'll soon see, since these are meant to make you think thoroughly about your characters beyond the voice, generic stereotypes, and the words on the script. With enough practice, answering these “complex, simple questions” will come to you naturally as you create believable characters.
The questions will become things you'll be asking yourself as the character instead of questions you ask about the character.
Simple statements nabbed from Crispin Freeman
“What do I (the character) want from my scene partner?”
Nabbed from D-Mac over Skype
G – Goal/Objective; What you want? O – Obstacle; What's in the way? (can be "where"/location/surroundings) T – Tactic; How to go about it? E – Expectation; How you think your actions will affect things?
Nabbed from vinceeaton
There's an improv term called CROW that can help bring short clips into sharp focus. Only the first one comes solely from your vocal performance, many others come from the dialogue you've written:
C: Character, this should be your primary focus, we should be able to get a lot of details about your character just from the quality of your voice. We can learn how old someone is, if there are quirks to their personality, background events that affect their current place, all by making a clear definition of character.
R: Relationship, we need to know who you're talking to. This can be answered in a really easy sentence, "So-and-so is my ______ (rock, child, adversary, bug in my ear that won't leave me alone)." If we don't know who you address, the scene isn't real. This is partly through the text you've written and partly delivery. Find a generic line, and try it like you're saying it to your best friend, your worst enemy, your greatest love, your assistant, your priest, your parents. You'll see how quickly this changes your portrayal.
O: Objective, Everybody wants something, and this should be true for your characters. For the most part, you're on the right track here. Simple verb phrases, "to ____," help solidify this kind of thing. Look around for a list of strong active verbs.
W: Where, so much can be accomplished by creating an environment. Picture every detail and work through all five senses, how does it look, feel, smell, sound, taste. As an additional exercise, deliver your lines like you're in a crowded bar trying to talk over the music, then in a quiet library and someone's offended you but you can't draw attention to the situation. Play around with this kind of thing a lot.
Voice acting character sheets you can work on to flesh out your characters
Name: Age: Size:
Physical Appearance:
Walk/Movement/Stance:
History:
What am I doing? What is my objective/intent?:
What is my attitude? How do I go about getting my objective?:
What is my relationship to the person/people I'm speaking to/of?:
Where am I? When is this happening? (century, era, season, time of day?):
What happened right before this moment? What happens right after this moment?:
FOR VOICEOVER
Placement: (where the foundation of your voice is; head, throat, chest, nasal, etcetera) Pitch: (the musical notes of the voice; how big/small your vocal cords/mouth is to make it lower/higher than your own) Pitch Characteristic: (the dynamic of the pitch; its texture, if any) Tone: (general volume) Tempo: (general rate of delivery; faster/slower than your own) Rhythm: (repetitive pattern of emphasis; syncopated, plodding, loping, etcetera) Mouth Work: (accent, lisp, tight lips, etcetera) Laugh: Special Phrase: (to "activate" the character/voice)
Code:[b]Name[/b]: [b]Age[/b]: [b]Size[/b]:
[b]Physical Appearance[/b]:
[b]Walk/Movement/Stance[/b]:
[b]History[/b]:
[b]What am I doing? What is my objective/intent?[/b]:
[b]What is my attitude? How do I go about getting my objective?[/b]:
[b]What is my relationship to the person/people I'm speaking to/of?[/b]:
[b]Where am I? When is this happening? (century, era, season, time of day?)[/b]:
[b]What happened right before this moment? What happens right after this moment?[/b]:
[center][b][i][u]FOR VOICEOVER[/u][/i][/b][/center]
[b]Placement[/b]: (where the foundation of your voice is; head, throat, chest, nasal, etcetera) [b]Pitch[/b]: (the musical notes of the voice; how big/small your vocal cords/mouth is to make it lower/higher than your own) [b]Pitch Characteristic[/b]: (the dynamic of the pitch; its texture, if any) [b]Tone[/b]: (general volume) [b]Tempo[/b]: (general rate of delivery; faster/slower than your own) [b]Rhythm[/b]: (repetitive pattern of emphasis; syncopated, plodding, loping, etcetera) [b]Mouth Work[/b]: (accent, lisp, tight lips, etcetera) [b]Laugh[/b]: [b]Special Phrase[/b]: (to "activate" the character/voice) |
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Hnilmik Administrator
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Joined: Feb 2008 Gender: Female  Posts: 4,537 Location: Southern CA, USA
|  | Re: Basic Questions for Complex Acting « Reply #1 on May 30, 2010, 6:29am » | |
brb, getting my teeth punched in by people who actually study acting
...In which I heavily encourage other tips to be contributed that'll simplify acting for less experienced folks who could use your insight!
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cardboardwalk Noble Member
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|  | Re: Basic Questions for Complex Acting « Reply #2 on Jun 9, 2011, 4:10pm » | |
This is probably too old a thread to expect a response in by now but its the only one that this seemed appropriate to post in. My big trouble is characterization but I'm always afraid to take liberties. In regulur acting you make up back stories and memories and other things to flesh out your characters. But when the characters are the main focus how can you flesh them out with out contradicting who they were created to be? There are things they know about others that you don't know because this or that line hasn't happened yet and it just becomes a mess. Is there really any safe way to work on characterization at all?
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Hnilmik Administrator
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|  | Re: Basic Questions for Complex Acting « Reply #3 on Jun 9, 2011, 11:43pm » | |
=P Think of the established stuff as "already prepared information to fill in the blanks with". You're working with a universe someone else already made, after all.
The stuff the writer/audience don't know/establish can be what you come up with and tell no one, instead getting across the necessary information (stuff that enhances what folks already know about the character) in the actual acting.
Like, for example, a bunch of guards are pursuing a princess. Obviously, getting chased isn't fun. But this princess is pissed off at these guards as they chase her. What's stopping her from just wailing on them instead of running? This is episode 1; You don't even know why this princess is being chased yet. Some things you can come up with as to "why she's running" is: 1 - they outnumber her and she can't possibly take 'em all right now; 2 - if they get her, they're gonna take her back to a place she likely escaped from; 2.5 - she doesn't want to go back to where she came from because the ideals of that palace/castle/evil clutches/whatever clash with hers... And so on.
What if you're wrong? Well, you can always ask the director about getting some specific information and hope for the best. Should you have a good director, they'll shed some light on the situation. However, you're doing most of the legwork on giving the character life.
Overall, the idea is to make a specific, committed choice instead of being vague and generic. In the moment, not tangled up in a bunch of details. Your character is in present tense, after all.
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vjfranzkdeepvoice Member
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|  | Re: Basic Questions for Complex Acting « Reply #4 on May 4, 2012, 8:14am » | |
We're in "general acting" classes now, and this all applies - "Method Acting" and such... Is it any wonder you often see voice actors doing expressions or even gestures in the studio? They really can hear if you are smiling!
May 30, 2010, 6:27am, Hnilmik wrote: Laugh: Special Phrase: (to "activate" the character/voice)
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That "special phrase" can really come in handy! As a point from which to build outward... ( just make sure to not repeat it too often in an improv! )
It can be surprisingly challenging to laugh "in character", even if you have the speaking down fairly well. This also applies to screaming, or singing, of course! ( perhaps why many films use a separate singer if needed )
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